Epistle

Revision

I’ve been reading some pages
about hiking and so drive
to Bannau Brycheiniog
and find myself a path to wander.

Beneath these gold-leaf beeches
I hear the familiar
yearning, but take time to dwell
on the fret and flit of finch.

An hour of ascending
a root-knotted track and I reach
Talybont reservoir.
It is a vast stillness of reflections.

From here I descend
the Henry Vaughan trail,
a seventeenth century poet, bardic
name ’ the Swan of the Usk’.

Not far nestles Talybont village,
a pub and pint,
perhaps a ploughman’s lunch,
perhaps time to doodle this epistle.


Original

I’ve been meandering some pages
about strolling and so drive
to Bannau Brycheiniog
and find this less worn path.

Beneath these gold-leaf beeches
I hear the familiar
yearning, but take time to dwell
on the fret and flit of finch.

An hour of ascending
a root-knotted track and I reach
Talybont reservoir.
Stillness, a vast mirror of blue.

From here I descend
the Henry Vaughan trail,
a seventeenth century poet, bardic
name ’ the Swan of the Usk’.

Not far nestles Talybont village,
a pub and pint,
perhaps a ploughman’s lunch,
perhaps time to doodle this epistle.

1 Like

I love this, Phil. I close my eyes and i am there with you. Great alliteration in the last stanza, effortless and warming.

Well done.

Aj

Cheers Aj. Nice to share a virtual :clinking_beer_mugs:

Phil

A path less worn for being root-knotted, perhaps. Ascending to water to join a bard, and descending to water with him. A lovely meander!

Jackie

Thanks Jackie. Paths are more root-knotted where the trees hold sway :grinning_face:

Phil

1 Like

For me has a Frost “The Road Not Taken”. A whimsical adventure to fallow a call,

Cheers Tom. Of course, no one owns these paths, not even Frost!

Phil

While I enjoyed this on the whole and some stanzas more than others for their imagery and gentleness, I felt less taken with individual stanzas. The opening sets the stage as it were but to my taste if overly poetic in execution. The first two lines feel artificial and deliberate and the fourth line an obvious echo of other poetry so close to cliche or at worst parody. That sounds too harsh but the quiet lovliness and precision beats it all hands down. Stanza continues that lovliness but IMO does not need the word stillness as the walk and the mirror of blue do that. I can’t think of anything loud about a mirror. Likewise do we need to be told who Henry Vaughan was?

The last is neat but too neat and flat for the quality of the walk to get there. Again, only my taste in these matters. The poem as such potential

1 Like

Cheers Dave. The S1 is my sense of doodling, not being too serious (similarly the closing stanza). A composition written in a pub… supposedly :grinning_face: Anyway, I’ve tinkered a tad. Thanks for the nudge.

:clinking_beer_mugs:

Phil

I KIND LIKE THAT POEM

It is very well written

My favourite parts– I couldn’t help meddle with your lines.

I drive
to Bannau Brycheiniog
find myself a path to wander

Beneath gold-leaf beeches
take time to dwell
on the fret and flit of finch

ascending
a root-knotted track, I reach
the vast stillness of reflections
that is Talybont reservoir.

I descend toTalybont village,
a pub and pint,
a ploughman’s lunch,
time to doodle an epistle.

Thanks David. Yes, one to tinker with! Appreciated.

Phil